Surrounded by echoed electric guitar, sinister rhythm patterns, and cutting synth, Daughn unfurls his unsettling, elliptical tales in a gritty baritone. There were a couple of electronic artists that really shocked me. When I started getting into punk, they had reservations about it— I think any parent would have reservations if their kid came home wearing suspenders and was dressed like a skinhead. With a resonant vocal style, Daughn crafts concise narratives with memorable melodies. Joy As an Act of Resistance – Idles.

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Lastly, do you have any crazy stories from your years truck driving? Daughn Gibson Harrowing small-town tales from a Pennsylvania punk-turned-crooner. There was nothing I could do but just attempt to get under it, so I basically scraped the shit out of the bottom of the overpass and the top of my truck.

Negative Capability – Marianne Faithfull. And this is what makes All Hell so refreshing and special: Gibson avoids awkward genre mash-ups with memorable vocal melodies and a knack for seamlessly matching timbres of the traditional and contemporary. More Blood, More Tracks: But most striking is that he somehow daughn gibson all hell to introduce country music, and a more traditional singer-songwriter approach, into this equation.

What was it like for you growing up in small-town Pennsylvania? E-mail will not be published required. The Bootleg Series, Vol. It wipes away the dust and brings fresh ideas into the room.


Joy As an Act of Resistance – Idles. Daughn Gibson – White Denim. All this publication’s reviews Read full review.

‎All Hell by Daughn Gibson on Apple Music

Burial does that, too. Over this unsettling backdrop, Daughn spins a song about the exact kind of no-hope characters these songs are supposed to be about, telling an compelling and inscrutable little tale even as his words are slurred to near-unintelligibility. Post a Comment Name required E-mail will not be published required Website.

Popular country music prides itself on reproducing tradition; its lack of innovation and inability to evolve with shifting trends is one of its virtues, both musically and ideologically.

Daughn Gibson

Finally, a musician whose record collection, or iTunes library, sounds as if it could contain albums by Cash, Conway Twitty, Elvis, Balam Ehll, The Caretaker, Portishead, and Washed Out created music that synthesizes these diverse influences.

But I definitely straddled the line and hung out with high-school dirtbags. Room 25 – Noname. I liked that they were portrayals of people, or scenarios, or nostalgia.

Musically All Ggibson draws upon shadowy country rock gibsonn southern gothic elements, and interpolates them into spacious, minimalist electronic arrangements. By Metascore By user score. I had a load in Brooklyn, so I dropped it off and started to head home.


Both use samples, but Gibson slows his daughn gibson all hell and makes them sinisterly resonate. Chris – Christine and the Queens.

All Hell is a pretty drastic departure from your previous work as a drummer. In The Beginning For my first experience driving, I got asked to do a load to New York. When Dauhhn started getting into punk, they had reservations about it— I think any parent would have reservations if their kid came home wearing suspenders and was dressed like a skinhead. Log in to finish rating All Hell.

All Hell by Daughn Gibson Reviews and Tracks – Metacritic

His sample-work recalls both cloud-rap producers and ambient artists like Kirby and Jefre Cantu-Ledesma. All Hell is a subtly clever record that pits one type of music that strongly evokes one era–here, country music–against another, namely this decade’s sample-heavy culture. Imagine if Nicolas Jaar edited together a cocaine-country album, with a crooner somewhere between Lee Hazelwood and Roy Orbison on the gibsson. Also, like them, Gibson pulls from a profound darkness and is capable daughn gibson all hell molding a three-minute pop tune out of a messy history of random dread.