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Collins described it in as Tallis’s “crowning achievement”. The Museum of Modern Artp.
I Fagiolini have recorded it prat a 40 part motet by Alessandro Striggiowith continuocornetts and sackbuts. It also accompanies the film Touching the Voidand reaches a climax when Yates and Simpson reach the summit of the mountain. Retrieved from ” https: This recording is particularly noteworthy, since the group is composed of just six men: Retrieved 24 May Cardiff’s installation is a reworking of a choral piece for forty male voices bass, baritone, thomaa, tenor, and child soprano by Tudor composer Thomas Tallis, which he likely composed to honor Queen Elizabeth I on her fortieth birthday The audio component of Tthomas Forty Part Motet is a moett loop: Retrieved 17 February On 10 Junethe BBC asked for 1, singers to meet, rehearse and perform the piece in the Bridgewater HallManchester for what was almost certainly the largest performance of the piece in history.
Spem in alium An excerpt of the first 2 minutes of the motet. Live Henry princely and mighty, Harry live in thy creation happy.
Watch 40 cellists play the part Renaissance motet ‘Spem in alium’ – Classic FM
From Wikipedia, the free encyclopedia. Views Read Edit View history. Polychoral compositions Compositions by Thomas Tallis s works.
Spem in alium features prominently in the Poliakoff drama Gideon’s Daughter.
Nonsuch possessed an octagonal banqueting hall, which in turn had four first-floor balconies: Latin [ edit ] Spem in alium nunquam habui Praeter in te, Deus Israel Qui irasceris et propitius eris et omnia peccata hominum in tribulatione dimittis Domine Deus Creator caeli et terrae respice humilitatem nostram. Wikipedia articles needing page number citations from February All articles with unsourced statements Articles with unsourced statements from October Articles with hAudio microformats Articles with unsourced statements from October ny This page was last edited on 16 Novemberat English translation [ edit ] I have never pzrt my hope in any other but in Thee, God of Israel who canst show both wrath and graciousness, and who absolves all the sins of man in suffering Lord God, Creator of Heaven and Earth Regard our humility.
Forty speakers are set around the Chapel, each one featuring a single voice of the part choir.
Watch 40 cellists play the 40-part Renaissance motet ‘Spem in alium’
All requests to license audio or video footage produced by MoMA should be talllis to Scala Archives at firenze scalarchives. If you notice an error, please contact us at digital moma. The only dukedom extant during the reign of Elizabeth I was that of Norfolk, so the Duke of the letter can only be Thomas Howard, 4th Duke of Norfolkand so if the anecdote is trustworthy the Duke’s execution in gives a latest date for the composition of the work.
All forty voices enter simultaneously for a few bars, and then the pattern of the opening is reversed with the music passing from choir eight to choir one. Some scholars consider that the Duke of Norfolk commissioned Tallis to write “Spem in alium” for performance mitet Nonsuch, and that its first performance took place there.
This record is a work in progress. Though composed in imitative style and occasionally homophonicits individual vocal lines act quite freely within its elegant harmonic framework, allowing thpmas a large number of individual musical ideas to be implemented during its ten- to twelve-minute performance time. Cardiff’s installation is a reworking of a choral piece for forty male voices bass, baritone, alto, tenor, and child soprano by Tudor composer Thomas Tallis, which he likely composed to honor Queen Elizabeth I on her fortieth birthday.
For access to motion picture film stills please contact the Film Study Center.
The Bible in Music: A visitor can stand in the middle of the installation tuomas hear all forty voices as they unify into one musical piece or move close to an individual loudspeaker for an intimate experience with a single voice. If you have additional information or spotted an error, please send feedback to digital moma. The Kronos Quartet has also recorded an instrumental version of the motet on their album Black Angels. There is no early manuscript source giving the underlay for the Latin text: